We love Women’s History Month and are happy that it has arrived again! Yet before diving into these resources, it feels essential to say that happiness is an incomplete description of our feelings about this important month. As we consider the narrative arc of women’s history, it is not always (or even often) a happy history. The complex history and activism that has brought us to today includes violence, discrimination, exclusion, and fear. However, it also includes resistance, hope, and yes, tremendous moments of joy.
For several years now, we (Jill and Kathryn) have partnered together on creating Women’s History Month resources for the middle and high school classroom. As we consider the 2021 theme: “Valiant Women of the Vote: Refusing to be Silenced,” we choose to honor women’s voices, and we seek opportunities to celebrate spaces of joy, including those spaces where joy is a form of resistance. We are also proud to include resources and activities suggested by several of our colleagues. Teaching women’s history is a community endeavor.
Last week, I (Kathryn) listened to an interview between Dr. Edith Eva Eger and Brené Brown. This conversation was transformative, and I’ve now told nearly everyone I know to listen. Eger is a clinical psychologist, international lecturer, and Holocaust survivor. When asked why she wrote her story, she shared that so much of the literature by Holocaust survivors was written by men and that humanity also needed to hear this story in a woman’s voice.
Representation is powerful. Dr. Eger speaks as a daughter, a sister, a mother, a grandmother. Hearing from these perspectives is essential as we strive for more complete histories and her-stories. As we approach this Women History’s Month, we are proud to present a series of classroom activities that honor valiant women and women’s rights activists, that acknowledge and celebrate powerful acts of resistance against injustice, and that amplify the tenacity and hope of women’s voices.
As I (Jill) sat here pondering Women’s History Month and this year’s theme, “Valiant Women of the Vote: Refusing to be Silenced,” I thought about what the word “valiant” means. Usually when we hear the word “valiant,” we think of it in terms of battle, in terms of soldiers fighting in war with valiant bravery. For years, women have fought with valiance, some on the battlefield of war, but many on other kinds of battlefields. This year’s theme honors those women who fought with valiance for the right to vote. Their battlefields were the pervading misogynist culture in which they lived, the streets on which they marched, the paper on which they wrote. Each of these women used their voices, their valiant voices, to fight for that freedom to vote. Some of these women lost their families. Some lost their friends. Some lost their very lives. Now, we all stand on the shoulders of these valiant women, and we have the challenge, the honor, and the opportunity to carry on their legacy. May we, also, refuse to be silenced as we raise our own valiant voices together with the women who have gone before us and those yet to come.
The resources herein are intended to be a springboard. This is not a complete curriculum. These activities do not correct the missing voices and histories in our curricula; they do not complicate the canon enough on their own. However, we hope they are a powerful starting place. We hope these resources are seeds that grow well beyond March.
Yours for the journey,
Kathryn Fishman-Weaver and Jill Clingan
|Essential Questions for Students|
|What does it mean to use your voice for change?|
|What voices are missing from our histories?|
|What voices would you like to learn more about?|
|Essential Question for Students|
|What revisions or reimaginings does your curriculum need to be more complete, increase representation, and celebrate women voices?|
Who the Suffrage Movement Left Out
Recommended by: Dr. Kathryn Fishman-Weaver
Level: High School Time for lesson: 3-4 x 30 minute sessions
Activate Prior Knowledge: True or false? The 19th amendment guaranteed all women the right to vote. This is false. In our continued effort to teach a more complete history, this lesson explores the women the suffrage movement left out and celebrates Black, indigenous, and Latina women who fought for more inclusive voting rights.
Session 1 – Expert Groups: Divide students into groups of 4. Assign each group to one of the following articles.
The group will become an expert on this article by completing the following information:
|Article Name, News Source, Author|
|Summary of Key Points, Terms, and Concepts (Bullet points is fine.)|
|Questions this article raises for your group|
|The most important takeaway|
Session 2 – Jigsaw Groups: Once the group has become an expert on their news article, jigsaw the class, so that students are in new groups with a representative from each of the original groups. Students should then teach others what they learned in their research and then work together in the new groups to synthesize information.
The synthesis activity asks these new jigsaw groups to prepare a five minute creative presentation on what they have learned about the suffrage movement from this research. Students may choose to prepare a poster, PowerPoint, song, poem, mini-lesson, or skit. Presentations should demonstrate thoughtful engagement with the reading (including quotes and citations), creativity, and collaboration.
Teaching note: You may need to extend this session to a full class period to give students enough time for presentation preparation.
Session 3 – In the final session of this lesson series, student groups will give their creative presentations. Ahead of presentation time, it may be helpful to go over class norms around being present, respectful, and positive. Either following each presentation or following all presentations, facilitate a discussion on what went well in the presentations.
|What did this group or our groups do particularly well?|
|What made you think in a new way?|
Before closing the series, facilitate a synthesis session using the following questions as a guide.
|What has our class learned as a result of this lesson series?|
|What are YOUR takeaways about the suffrage movement?|
|How did this lesson change what you knew about the 19th amendment?|
|What do the individuals we studied teach us about equality, activism, inclusion, and change?|
Possible Extension: There are several specific activists named in these articles that students may have been unfamiliar with prior to our lesson. As an extension you might assign individual or paired research on these historical figures.
The Suffrage Movement—History Mini-Project
Recommended by: Anthony Plogger
Level: Middle School – 6, 7, 8 Time for Lesson: 3x 45 minutes
Activity Description: In this activity, students will conduct research and create a mini-research project to share with their peers and teacher either on poster board or Google Slides. In this project, students will learn more about an important figure from the Women’s Suffrage Era.
Teaching note: You may want to prepare a more complete and inclusive list of famous women from the Suffrage Era by reviewing the articles linked in the lesson “Who the Suffrage Movement Left Out.”
Students will be responsible for writing in their own words (not copying and pasting). As they prepare their project, they should answer the following:
|When?||Include date of birth and date of death.|
|Who?||Who was this person? Include biographical Information.|
|What?||What are they famous for? Include important things they accomplished.|
|Where?||Where were they from? Where did they do most of their work?|
|How?||How did this person change history?|
|Why?||Why did you choose to research this figure?|
|Extras||What else did you learn that surprised or inspired you during your research?|
|Images||Include at least one image per slide (if using Google Slides) or at least 3 images (if creating a poster).|
Stacey Abrams—“Truth Seekers”
Recommended by: Dr. Kathryn Fishman-Weaver
Level: Highschool Grades 9-12 Time Suggestions: 4 x 20 minute reflective lessons
Background. Stacey Abrams, a lawyer and voting rights activist, says that, “Effective leaders must be truth seekers and that requires a willingness to understand truths other than our own.” Abrams is truly one of today’s history makers. She is responsible for mobilizing 800,000 people to register to vote in her home state of Georgia in advance of the 2020 elections.
Activity Description. Explore a recent TED Radio Interview with Stacey Abrams. This 25-minute podcast is framed around her identity as a student and contains powerful messages for students and student leaders.
Spread the listening out over four days. This will give you and your class about 5-8 minutes per day or roughly one big question. Reporter Manoush Zomorodi’s questions and Stacey Abrams’ stories point to purposeful reflection and personal connection. After listening to each short segment, give students space to process, make connections, and discuss. Try a different processing method each day including free writing, Socratic seminar discussions, and whole group dialogue. Close the week with a whole class discussion of key takeaways from Abrams’ interview, any new intentions students want to set, and a list for future research questions. (See the possible lesson extension ideas below.)
|Explore Abrams’ run for governor in the state of Georgia followed by her subsequent work around voting rights. What lessons can we learn from her work?|
|Research the history of voting rights, voting suppression, and voter mobilization in the U.S. How does the U.S. voting process compare to other countries?|
“…but I won’t be the last.”
Recommended by: Dr. Kathryn Fishman-Weaver
Level: Middle and High School (6-12) Time for lesson: 30-60 minutes
One history maker that may be on your students’ minds is Vice President Kamala Harris. When Harris took the oath of office on January 20, 2021, she became the first woman vice president in the history of the United States. She is also the first Black person, and the first Asian American to hold that position.
In her acceptance speech, Vice President Harris said, “While I may be the first woman in this office, I won’t be the last.”
Media Link: Watch an excerpt of this speech here.
Questions for class discussion (adapt as needed for your grade level):
|What does it mean to be the first? What are your responsibilities?|
|How does seeing more lived experiences represented in leadership positions change things?|
|What had to happen in history to make this (and other) groundbreaking firsts possible?|
In Vice President Harris’s speech she mentions several identities including race, ethnicity, and gender. Our different identities intersect and contribute to our worldviews, perspectives, and experiences. This idea is called intersectionality, and it was proposed by legal scholar and professor, Kimberlé Crenshaw.
Questions for class discussion (adapt as needed for your grade level):
|What identities make you you?|
|How do your different identities intersect and inform your perspectives, worldviews, and experiences?|
|Are there times when certain identities are more foregrounded? If so, what are those times?|
Extension and Literature Pairing
Regardless of age or grade level, children’s literature is a powerful conversation starter in the classroom. Below are two new children’s books you might use to jumpstart these activities. Both titles explore some of our key history maker themes including intersectionality, leadership, hope, and change.
Ambitious Girl by Meena Harris
Grace for President by Kelly DiPucchio
Questions for discussion:
|Questions for Discussion:|
|What stands out to you in this book?|
|How does this book make you feel and why?|
|What messages does the narrator offer in these books?|
|Do these messages reimagine or maintain the status quo?|
|What do you think was the author’s purpose in writing this book?|
Follow up: Challenge students to create their own bookpage. Creativity and courage encouraged.
Rose Wilder Lane (daughter of Laura Ingalls Wilder)
Recommended by: Dr. Sherry Denney
Level: Middle Grades (4-8) Time for lesson: Daily 30-45 minute lessons for 8 days
Activity Description—”Political Speech”
Rose Wilder Lane was the famous daughter of Laura Ingalls Wilder. By trade, Rose Wilder Lane was a journalist and novelist of considerable political influence at the national level. In fact, she has been credited as one the founders of the American Libertarian Movement. Among many novels and professional articles she penned, she wrote a book in 1920 with Charles K. Field called, The Making of Herbert Hoover. The book was published before Hoover became president in 1929, and was foundational in the promotion of his image for the American public. President Hoover and Rose became friends, and many of her personal papers are on display in Iowa at the Herbert Hoover Library’s special Rose Wilder Lane Collection.
For this activity, students will pretend they are a politician. They will be inspired after reading the political activism of Rose Wilder Lane, and so the activity is to create a 30-second videotaped ‘political’ speech highlighting their core beliefs about justice and freedom for all.
Day 1 & 2: Focus—Collaboration and Active Listening Skills
Divide the classroom into four groups and assign them one of the references provided. Allow students time to research the life of Rose Wilder Lane. Encourage them to explore the history of the era in which she lived and come up with additional facts to share with their group members. Ask them to focus on Rose Wilder Lane’s dedication to the virtues of justice and freedom.
Day 3: Focus—Rough Draft
Reassign students from the different groups into pairs. Give them time to share what they have learned in their groups with each other, and do any additional research they want to do. In pairs, they should start to outline their script for their political speech and come up with a rough draft*.
*Circulate around the room (or breakout rooms) and check on the content of their speeches and offer assistance.
Day 4: Focus—Final Draft
In this session, students will remain in their pairs and continue working on their scripts. Their partners will be serving as editors and camera operators for the final piece. At the end of the session, they should have a final draft of what they are going to say* and prepare for their videos (including appropriate timing).
*Circulate around the room (or breakout rooms) and check on the content of their speeches and offer assistance.
Day 5: Focus—Collaboration and Active Listening Skills
In this session, the final drafts can be amended as needed prior to making the recordings. This is the session where they will record their 30-second video speeches for their partner.
Days 6 & 7: Focus—Video / Collaboration and Active Listening Skills
The class will come back together to watch the speeches. Ask them to note how the speeches make them feel, and how their motivation towards social and political change has been affected.
Day 8: Focus—Collaboration and Active Listening Skills
Have the students get back into their original groups and discuss the experience. Have them focus on the meaning of “empowerment” and how each of them can become change agents for the future. Use some of the time to have them share their reflections with the entire class.
“Well-behaved women seldom make history”
Recommended by: Nina Sprouse (Adapted from PBS Resources)
Level: High School Grades 9-12; World History, Sociology, and/or Psychology
Time Suggestions: Thirty minutes in class, one hour for homework
Background. Historian Laurel Thatcher Ulrich wrote the phrase, “Well-behaved women seldom make history“ in the 1970s. It quickly became a slogan for girls hoping to break the mold. Today, these words appear on t-shirts, mugs, bumper stickers, greeting cards, and all sorts of Web sites and blogs. What started out as a line in an obscure article has grown into a larger movement, and represents how women have made their “voices” heard throughout time.
Activity Description. For this activity, students will identify stereotypes about women and men, and learn how Anne Bonny broke the traditional gender stereotypes. Then, the students will create their own profile on another “rule-breaking” woman in history. Examples could be Harriet Tubman, Hypatia, Cleopatra, Mulan, and Queen Elizabeth.
Provide a definition of the word “stereotype”. Then, asks the students to list some stereotypes that they feel represent males and females. The Introduction to Gender Stereotyping resource can provide some additional guidance.
Next, explain to students that they are going to learn about Anne Bonny—a woman who defied the stereotypes of women of her time. Watch the video below, as well as review the Anne Bonny resource document. Discuss specific ways that Anne broke the rules.
Media Link – Anne Bonny—https://www.history.com/embed/21115861#
(1) Choose a woman who made history (either one of the five featured or find your own).
(2) Research her, record both basic facts about her as well as a short synopsis on her life, and then state how she broke traditional stereotypes.
|Research cultural stereotypes in other countries. How do they differ from the ones presented in this lesson?|
|Investigate “rule-breaking” women in your community, state/province, or county history. Report on what you have discovered.|
|Write a story about the life of the women researched for the assignment. The text should set up a story by introducing the event/conflict, characters, and setting.|
Women Poets – Introduction
Recommended by: Lou Jobst
Level: Grades 5-12; English Language Arts
Time Suggestions: 20 minute intro; then 30 minute research, 60 minutes to prepare presentations, and 10 minutes per presentation
Background. The contributions of women poets is vast. In this introductory lesson, students will explore the work of women poets to become more familiar with voices they may not have known previously and to study key poets that they resonate with and want to explore further.
Activity Description. Start by sharing poems by some of your personal favorite women poets. You might choose from such poets as Dickinson, Moore, Plath, Giovanni, Kenyon, Sexton, Angelou, Clifton, and Browning. Share why you were drawn to these poems, pointing to specific lines or themes that resonate with you.
After introducing poets and poems that you resonate with, have students work in small groups to explore poems more deeply and find a poet whose work they resonate with. Working individually or in small groups, students should create a brief bio, direct the class to copies of the poem, and then present their bio and some verses of the poet’s work with enthusiasm.
Media Link – Poetry Foundation – https://www.poetryfoundation.org/
Teach Living Poets – Intermediate Lessons
Recommended by: Jill Clingan And Kathryn Fishman-Weaver
Level: Grades 8-12; English Language Arts Time Suggestions: 1-2 class periods per poet
Background. Melissa Alter Smith is the founder of #teachlivingpoets. The core values of this group include:
|* get poetry into the hands of students.|
* complicate the canon, to open the door wider of which poems are taught in the classroom.
* provide students with poetry that reflects their identities, backgrounds, and present circumstances.
* facilitate students’ discovery of new ideas and people who are different than them.
* center the voices of BIPOC poets, LBGTQ+ poets, and poets with disabilities.
* celebrate the arts in schools, especially poetry.
* empower students’ voices through reading and writing poetry.
We (Jill and Kathryn) are inspired by this mission and wanted to be sure that our Women’s History Month teaching resources included living poets who embody the 2021 theme, complicate our classroom canons, and connect with students in new ways. The three poets listed below are three that we love to teach. Of course, these poets are only a starting place. If you are interested in finding more living poets to teach in your own programs, you might start with this list: https://teachlivingpoets.com/find-poets/
Lesson 1: Amanda Gorman—Poetry in Public Places
Watch Amanda Gorman’s TEDTalk, “Using your voice is a political choice.” https://www.ted.com/talks/amanda_gorman_using_your_voice_is_a_political_choice?language=en#t-17663.
After watching the video, answer these reflection questions:
|In what three ways does Gorman say that poetry is political? Is there anything you would add to her list?|
|Gorman states, “Poetry has never been the language of barriers; it’s always been the language of bridges.” How do you think poetry can build bridges? What barriers could poetry knock down?|
|Gorman believes that “All art is political.” How is art political? What are some examples of art being political (think about poetry or other literature, dance, visual arts, drama, etc.).|
|At the beginning of her TEDTalk, Gorman asks two questions: Whose shoulders do you stand on? What do you stand for? How would you answer those questions?|
Brainstorm your answers to the two questions Amanda Gorman asked at the beginning of her TEDTalk: Whose shoulders do you stand on? What do you stand for? Gorman answered those questions this way: I am the daughter of Black writers, who are descended from Freedom Fighters who broke their chains and changed the world. They call me.
You can use these sentence starters or create your own:
I stand on the shoulders of _____________________________________.
I stand for ______________________________________.
When each of you is finished, stand in a circle. Take turns reading the first line around the circle, then the second.
At the very end, read these lines in unison:
|We are the children of our ancestors. We stand for the stories only we can tell and for the change we will be in the world.|
Watch Amanda Gorman read the Inauguration poem, “The Hill We Climb.” https://www.youtube.com/watch?v=LZ055ilIiN4&feature=emb_logo
You can find a transcript here: https://thehill.com/homenews/news/535052-read-transcript-of-amanda-gormans-inaugural-poem?rl=1
Find the lines in Gorman’s poem that speak the most to you. Write out those lines on a piece of paper and use the rest of the paper’s empty space to draw or paint an image that illustrates what those lines mean to you. Create a collage on your classroom wall of these images and words.
Lesson 2: Nikki Giovanni—Poetry for Social Change
Engage—As an intro to one of Nikki Giovanni’s most famous poems, show this recent clip of the NASA Perseverance Rover landing on Mars.
The NASA scientist’s voice you hear in this clip is Swati Mohan.You can read more about Mohan’s work and other Indian women scientists who are breaking down boundaries here.
With your class, discuss the role of perseverance in science and change movements.
We’re Going to Mars—Nikki Giovanni is a famous American poet, as well as an advocate for racial justice and women’s rights. In her poem, “Quilting the Black-Eyed Pea (We’re Going to Mars)” she writes that “the trip to Mars can only be understood through Black Americans.” Before exploring the poem together, ask students to journal independently on this idea.
Listen to Giovanni perform this poem at a Civil Rights Celebration at Virginia Tech, where she serves as a professor.
Giovanni covers a lot of ground in this poem. Give students time in small groups to review a transcript of the poem and to share their reflections on the following questions.
|What are your favorite lines from this poem? Why are you drawn to those lines?|
What historical allusions do you need more information about?
|If this poem had a thesis statement, what would it be, AND do you agree with that thesis? |
|Remember, where we started this lesson by listening to Swati Mohan announce the NASA Perseverance Rover had landed successfully on Mars. How did watching that video clip and learning about Mohan influence the way you heard Giovanni’s poem?|
|Phenomenal Found Poetry: Pair Giovanni’s “Ego-Tripping” with Maya Angelou’s “Phenomenal Woman.” Ask students what these poems have in common, what literary devices the poets employ, and why we need poems like this. Then ask students to create a found poem from one of or both of these texts to give to a phenomenal woman in their own lives.|
|Allowables: Giovanni’s poem “Allowables” has been used as an analogy for police brutality against African Americans. Read this short poignant poem together and discuss how poetry can be used for social change. Challenge students to utilize metaphor, like Giovanni, as they author original poems on social issues that matter to them.|
Lesson 3: Sarah Kay—Spoken Word Poetry
The heart of poetry is voice. Often, that voice is one-dimensional, black and white on a page. Poetry teachers recommend that students read poetry aloud, however, for a reason. The voice of poetry is not just the words; it’s also the rhythm of those words and the spaces between them. Spoken word poetry occupies a space within poetry where it has a literal, out loud voice, a Voice. Poetry, just like politics and protest, is such an apt space for an out loud voice because in poetry, just like in politics and protest, that voice is refusing to be silenced.
Spoken Word Poem Option 1
Watch one of Sarah Kay’s poems so that you have a feel for spoken word poetry.
|“If I should have a daughter….” https://www.youtube.com/watch?v=JQgz2AhHaQg&t=47s|
|“A Bird Made of Birds” https://www.youtube.com/watch?v=54ST8bwOVyc|
|“An Origin Story” https://www.youtube.com/watch?v=esgfG3BoAPc|
|“The Type” https://www.youtube.com/watch?v=qYAiYMlOCI4|
|“Mrs. Ribeiro” https://www.youtube.com/watch?v=6GqMgLnluKY|
|“Dreaming Boy” https://www.youtube.com/watch?v=LoIbUF8jItE|
Brainstorm political topics that you are passionate about where you want to use your voice. Write a spoken word poem that uses your voice to express that passion.
You may find inspiration from the Poetry Foundation’s collection of Poems of Protest, Resistance, and Empowerment. https://www.poetryfoundation.org/collections/101581/poems-of-protest-resistance-and-empowerment
Host a performance of these poems for your class or also invite outside guests.
Spoken Word Poem Option 2
Watch Sarah Kay’s TEDTalk “If I should have a daughter….” https://www.ted.com/talks/sarah_kay_if_i_should_have_a_daughter
At the end of her TEDTalk, Kay asks the audience to think of three things that they know to be true. Kay’s three things she knows are true are “that Jean-Luc Godard was right when he said that, ‘A good story has a beginning, a middle and an end, although not necessarily in that order.’ I know that I’m incredibly nervous and excited to be up here, which is greatly inhibiting my ability to keep it cool. And I know that I have been waiting all week to tell this joke. Why was the scarecrow invited to TED? Because he was out standing in his field.”
She then goes on to say, “So these are three things I know to be true. But there are plenty of things I have trouble understanding. So I write poems to figure things out. Sometimes the only way I know how to work through something is by writing a poem. Sometimes I get to the end of the poem, look back and go, ‘Oh, that’s what this is all about,’ and sometimes I get to the end of the poem and haven’t solved anything, but at least I have a new poem out of it.”
|Write down 3 things you know to be true about women and voice.|
|Write down 3 things you want to know more about women and voice.|
|Write a spoken word poem about the three things you know to be true, the three things you want to know more about, or both.|
|After you write the poem, reflect on how you might have had a moment of, “Oh, that’s what this is all about.”|